Ceramiche Refin, elegant porcelain stoneware collections since 1962

By
Anders — Editorial Lead
Anders is the creative force and technical architect behind Divine Magazine’s editorial identity. Blending Scandinavian minimalism with a sharp instinct for digital storytelling, he shapes the...
3 Min Read

Ceramiche Refin is an Italian company that offers refined porcelain stoneware collections for residential and project-planning destinations since 1962.

The products take inspiration from natural materials, such as stone and terracotta. Its commitment to aesthetic research and technological innovation has enabled the company to establish itself as one of the most authoritative points of reference in the sector.

The core values that guide the company are Made in Italy, understood as a productive model that combines ethics, manufacturing tradition and Italian culture, and the respect for the environment and natural resources.

The Italian tiles produced by Ceramiche Refin are elegant, versatile and suitable for kitchens, bedrooms, bathrooms and living rooms. Each collection is available in many colours, finishes, shades, and sizes, from the smallest to the large slab. The Large Format Porcelain Tiles, for example, represent the perfect synthesis of aesthetic research and technology. The new 120×278 size is the ideal product to be used on walls in both private and public projects.

As regards the collections, we can mention Feel. It has an overall homogeneous appearance and at the same time encompasses tactile sensations that evolve the traditional concept of concrete, offering an original interpretation of it. The collection is contemporary and minimal at the same time thanks to the research and development path applied to the surface.

Instead, Orobica interprets the famous stone quarried in the Grè locality on the slopes of Monte Clemo, on the north-western shore of Lake Iseo. The material is characterized by the presence of irregularly distributed stones of different sizes. The peculiar wavy effect is emphasized through a decisive alternation of elements. In addition, there are pebbles of warmer shades, which contribute to an even more varied and dynamic surface.

Venice, with its history and its own fascination, becomes the protagonist of an unprecedented collection with a gracefully vintage accent called Canal Grande. It reproduces the same depth and three-dimensionality of motorboats and Venetian taxis, traditionally made of mahogany. Canal Grande is offered in two finishes, balancing tradition and modernity: Soft and Glossy.

Soft is characterised by a matt effect that softens contrasts and offers a more modern visual result, while Glossy instantly recalls the wood of the boats that inspired the collection, reflects the ambient light and adds depth.

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Anders is the creative force and technical architect behind Divine Magazine’s editorial identity. Blending Scandinavian minimalism with a sharp instinct for digital storytelling, he shapes the magazine’s voice, visual rhythm, and structural clarity. His work moves between worlds — part editor, part engineer — ensuring every article is not only beautifully crafted but technically flawless beneath the surface. From SEO frameworks to asset design, from WordPress architecture to the magazine’s cinematic featured imagery, Anders builds the systems that let stories breathe. He curates Divine’s tone with intention: clean lines, honest language, and a commitment to elevating everyday subjects into something quietly extraordinary. Whether refining editorial workflows or sculpting the magazine’s long‑term creative direction, Anders brings a steady hand and an eye for detail — the kind that turns a publication into a signature.