Jesse Butterworth Shares New Single After it Rains

By
Anders — Editorial Lead
Anders is the creative force and technical architect behind Divine Magazine’s editorial identity. Blending Scandinavian minimalism with a sharp instinct for digital storytelling, he shapes the...

From the highs of three #1 hits, multiple award nominations and critical acclaim to the lows of shattering his leg in the middle of a show and starting over again after the demise of the band and record deal, Jesse Butterworth has learned to embrace all that makes up his life and find the specks of gold in just about anything.

Jesse Butterworth’s debut full length solo album, “All The Gold I’ve Struck”, recorded at world famous Abbey Road studio in London, is a breath of fresh air from a weathered troubadour, who has refused to see his journey as a tragedy but rather a mining expedition that has paid off in more ways than he could ever count.And with this new project, Jesse really has struck gold, working with some of the top musical talent on planet earth, from Grammy Award Winner, Andrew Joslyn (Macklemore, Pentatonix, Kesha), Aaron Sternke (Amy Grant, Mercy Me, Mathew West) and Lewis Jones (Harry Potter, Avengers, Black Panther). All the pain and hope of a lifetime has been woven together and somehow reconciled in this stellar project by an artist with a unique and solitary voice.Jesse Butterworth lives in Seattle with his wife Marisa, their three kids, Liam, Finn & Harper, their dog, Maple Syrup and his 1962 Ford Econoline Van, Van Scully.

https://www.instagram.com/jessebutterworth

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Anders is the creative force and technical architect behind Divine Magazine’s editorial identity. Blending Scandinavian minimalism with a sharp instinct for digital storytelling, he shapes the magazine’s voice, visual rhythm, and structural clarity. His work moves between worlds — part editor, part engineer — ensuring every article is not only beautifully crafted but technically flawless beneath the surface. From SEO frameworks to asset design, from WordPress architecture to the magazine’s cinematic featured imagery, Anders builds the systems that let stories breathe. He curates Divine’s tone with intention: clean lines, honest language, and a commitment to elevating everyday subjects into something quietly extraordinary. Whether refining editorial workflows or sculpting the magazine’s long‑term creative direction, Anders brings a steady hand and an eye for detail — the kind that turns a publication into a signature.
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