KT Tunstall Premieres The Video For ‘Hard Girls

By
Anders — Editorial Lead
Anders is the creative force and technical architect behind Divine Magazine’s editorial identity. Blending Scandinavian minimalism with a sharp instinct for digital storytelling, he shapes the...

KT Tunstall returns with a brand new video for “Hard Girls.”   Directed by Chris Turner (JAY Z, HURTS), the video sees Mel C and KT as opposing rally drivers battling it out on the track.

The new single is taken from her fifth studio album KIN out now via Caroline Records. The album is available participating retailers, here.

Two years ago, KT Tunstall thought she was done with music: “As an artist I feel like I died,” she says. “I stopped. I gave up. I didn’t want to do it anymore.” She put her stuff in storage and bought a little house in Venice Beach, California and enrolled in the Sundance Institute’s elite Film Composers Lab. It was a turning point in her life.

Two years later KIN was born. Produced by Tony Hoffer (Beck, Fitz and the Tantrums, Air, M83 and more), and written and recorded by KT in LA, it exemplifies the very best of guitar pop. “The truth is, I’ve finally made peace with being a pop songwriter,” KT says. “This record was very much embracing my dharma as an artist, which is to write positive songs that have muscle, but also show their vulnerability.”

It has been over ten years since KT released her multi-platinum debut, Eye To The Telescope, and in KIN, KT sees its full bodied and blooded follow up. The album’s new focused sound is exemplified by the teaser track ‘Evil Eye’; a stripped back, primal rock ‘n’ roll track that seeded the whole record. The album’s lead single ‘Maybe It’s A Good Thing’ shows KT in top form: a moment in life captured in a bright, powerful pop song with an irresistible and unforgettable melody.

The diverse collection also includes a duet with KT fan James Bay, the raucous rebellion of ‘It Took Me So Long To Get Here, But Here I Am’, ‘Run On Home’, the call to arms of ‘Hard Girls’, and the beautiful album closer ‘Love Is An Ocean’.

KT has released five albums internationally, to date: Eye to the Telescope (2004), KT Tunstall’s Acoustic Extravaganza (2006), Drastic Fantastic (2007), Tiger Suit (2010) and Invisible Empire // Crescent Moon (2013). Her music has also figured prominently in film and television including The Devil Wear’s Prada, Grey’s Anatomy, Winter’s Tale and many more. She has won a BRIT Award, an Ivor Novello Award and earned both Grammy and Mercury Prize nominations.


US Tour Dates:
September 21 House of Blues Chicago, IL
September 22 The Vogue Indianapolis, IN
September 23 Barrymore Theatre Madison, WI
September 24 Fine Line Music Cafe Minneapolis, MN
September 27 The Crocodile Seattle, WA
September 28 Wonder Ballroom Portland, OR
September 29 Commodore Ballroom Vancouver, BC
October 2 House of Blues San Diego, CA
October 3 The Fonda Theatre Los Angeles, CA

Tickets on sale now at kttunstall.com/live


iTunes http://po.st/KINYTiT

Spotify http://po.st/KINYTSp


Apple Music http://po.st/KINYTAm

Amazon http://po.st/KINYTAzn

Google Play http://po.st/KINYTGp

 

Connect with KT Tunstall

http://kttunstall.com/

https://www.facebook.com/kttunstall

https://x.com/kttunstall

https://www.instagram.com/kttunstall/

https://play.spotify.com/artist/5zzrJD2jXrE9dZ1AklRFcL?play=true

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Anders is the creative force and technical architect behind Divine Magazine’s editorial identity. Blending Scandinavian minimalism with a sharp instinct for digital storytelling, he shapes the magazine’s voice, visual rhythm, and structural clarity. His work moves between worlds — part editor, part engineer — ensuring every article is not only beautifully crafted but technically flawless beneath the surface. From SEO frameworks to asset design, from WordPress architecture to the magazine’s cinematic featured imagery, Anders builds the systems that let stories breathe. He curates Divine’s tone with intention: clean lines, honest language, and a commitment to elevating everyday subjects into something quietly extraordinary. Whether refining editorial workflows or sculpting the magazine’s long‑term creative direction, Anders brings a steady hand and an eye for detail — the kind that turns a publication into a signature.