Through The Gates – by Post Death Soundtrack

By
Anders — Editorial Lead
Anders is the creative force and technical architect behind Divine Magazine’s editorial identity. Blending Scandinavian minimalism with a sharp instinct for digital storytelling, he shapes the...
3 Min Read

Post Death Soundtrack is a Canadian inter-city music collective consisting of Kenneth Buck, Steve Moore and Jon Ireson. Founded in Calgary in 2007 by Buck and Moore, the band now operates out of Vancouver, Calgary and Toronto using the magic of the internet to collaborate across the country.

The group creates thought-provoking music by weaving together electronic, industrial, pop and rock sounds. Side-line.com calls their sound “indefinable” while Reflections of Darkness calls them “by no means music for simple minds”.

On September 16, 2008, founding members Buck and Moore released Post Death Soundtrack’s debut full length album Music as Weaponry. Taking influence from bands like Massive Attack and Skinny Puppy, ‘Music as Weaponry’ earned top reviews from publications such as Industrial.org, Side-line Magazine and Sphere Magazine who called the record “a chaotic concoction of crossover madness” adding “this is the soundtrack to your escape from the average”. Their popular cover of Dead Can Dance’s ‘Anywhere Out Of The World’ was met with praise overseas in Europe.

Also that year, the group recruited bassist and producer Jon Ireson with whom Buck and Moore had shared various stages with in previous incarnations. Jon, in turn brought on Colin Everall to help out on piano and drums.

In 2010, Post Death Soundtrack released their single ‘Ultraviolence’ with accompanying video, directed by Jeevin Johal. Along with the release of new music (‘Little Alice’ and ‘Our Time Is Now’) and a series of remixes from Music as Weaponry, the band assembled for a rare live performance opening for industrial pioneers Front Line Assembly.

Now after a 3 year hiatus, Post Death Soundtrack is back with The Unlearning Curve. The latest 9 track collection is an eclectic narrative about dropping concepts, healing and venturing into the unknown. Equal parts Alice in Wonderland, J. Krishnamurti and dream language, The Unlearning Curve pulls as much from psych era Beatles and David Bowie as it does from modern industrial rock. The record was recorded at a number of studios, primarily in Vancouver. It was mastered at Suite Sound Labs, Vancouver and the album cover is an original painting by Toronto artist Kayla Aileen Brown. The album is available as a free download as well as in limited edition vinyl format.


Through The Gates - by Post Death Soundtrack (Official Music Video)


Where to find Post Death Soundtrack

https://postdeathsoundtrack.bandcamp.com/

https://www.facebook.com/Post-Death-Soundtrack-247719198207/

https://www.instagram.com/post_death_soundtrack/

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Anders is the creative force and technical architect behind Divine Magazine’s editorial identity. Blending Scandinavian minimalism with a sharp instinct for digital storytelling, he shapes the magazine’s voice, visual rhythm, and structural clarity. His work moves between worlds — part editor, part engineer — ensuring every article is not only beautifully crafted but technically flawless beneath the surface. From SEO frameworks to asset design, from WordPress architecture to the magazine’s cinematic featured imagery, Anders builds the systems that let stories breathe. He curates Divine’s tone with intention: clean lines, honest language, and a commitment to elevating everyday subjects into something quietly extraordinary. Whether refining editorial workflows or sculpting the magazine’s long‑term creative direction, Anders brings a steady hand and an eye for detail — the kind that turns a publication into a signature.